The Jehmlich organ in the Kreuzkirche in Dresden, built in 1963, is an outstanding example of an instrument in the Neo-Baroque style propagated by the North German organ reform movement. Even the sight of the facade reveals the stylistic orientation through its classical arrangement of Werke with Brustwerk, Hauptwerk and Oberwerk on top of each other and the Pedal towers on the left and right, but also through the use of new materials such as copper pipes or reed pipes in the facade. In the disposition there are numerous short-stemmed reed stops characteristic of the Neo-Baroque, such as Bärpfeife 8′, Rohrschalmei 4′ and Trichterregal 4′ and bright coloured aliquots, such as Septime 1 1/7′, Hornwerk 2-3f and Tonus fabri 2f. During the last renovation in 2008 by the Jehmlich company, the voicing of the 80 stops was revised and improved with regard to more fundamental tone and sonic viability.

Dresden Kulturpalast

In 2017, the renovated Kulturpalast Dresden was equipped with a modern concert organ from the Eule company in nearby Bautzen. Behind an impressive free-standing pipe prospect, 67 stops are distributed over four manuals and pedal. A special feature is the fourth manual (Solo), on which solo voices are located on the one hand, but also the reed battery of the Swell (III) on the other hand, which can be coupled separately.